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Climbing Roses Trellis Table Runner Pattern

Climbing Roses Trellis Table Runner Pattern
4.6β˜… Rating
10-12 Hours Time Needed
2.7K Made This
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Advanced Level

Designed for experienced crocheters, these patterns involve intricate designs and complex techniques to challenge and inspire.

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Slow & Steady

A 10+ hour projectβ€”great for savoring the process over several sessions.

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Cozy Accent

A warm touch for your space that transforms ordinary corners into inviting nooks filled with handmade charm.

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About This Climbing Roses Trellis Table Runner Pattern

This Climbing Roses Trellis Table Runner is a layered mix of open lattice and dimensional floral motifs β€” three flat medallions laid into a chain-grid and surrounded by sculpted roses, buds and many leaves. Colors in the sample are a soft cream for the lattice, two shades of green for leaves and stems, and graduated pinks/corals for roses and buds. The runner is worked as individual motifs (medallions, lattice ropes, vines, leaves, flowers) and then assembled and blocked flat for a lace-like finish.

Climbing Roses Trellis Table Runner Pattern crochet pattern - detailed view of completed project

The pattern emphasizes modular making: make repeats of the leaves and flowers, then join them to the trellis with whip stitch and invisible joins. Blocking and careful placement create a professional looking centerpiece that holds its shape.

Why You'll Love This Climbing Roses Trellis Table Runner Pattern

I love how this runner combines airy trellis geometry with plush, tactile roses β€” it feels luxurious but homemade. The layered leaves and sculpted petals create such beautiful depth and shadow in photographs, and I enjoy the satisfying assembly process where each motif becomes part of a cohesive garden scene. The color play between cream, sage and coral gives it a timeless, cottagecore elegance I can't resist.

Climbing Roses Trellis Table Runner Pattern step 1 - construction progress Climbing Roses Trellis Table Runner Pattern step 2 - assembly progress Climbing Roses Trellis Table Runner Pattern step 3 - details and accessories Climbing Roses Trellis Table Runner Pattern step 4 - final assembly and finishing

Switch Things Up

I absolutely love making variations of this runner; the structure is modular so you can change the number and arrangement of medallions and roses to suit your table. For a shorter runner, simply reduce the number of lattice ropes and move the medallions closer together.

I often switch yarns β€” a slightly thicker cotton results in bolder petals and a really sturdy runner, while a softer DK gives a delicate, lacy finish. Try deeper reds or mixed pinks for a Victorian look, or soft pastels for spring decor.

Don't be afraid to experiment: add beads to rose centers for a vintage sparkle, use variegated yarn for one or two roses for extra depth, or substitute leaves in a darker green to increase contrast. Pin motifs first so you can audition color placements until it feels just right.

Common Mistakes & How to Fix Them

βœ— Skipping stitch markers at the start of long rope/grid strips leads to uneven lengths and mismatched lattice joins; mark the start and both ends. βœ— Crocheting too loosely for rose strips makes petals collapse when rolled; maintain a tighter tension for petal definition and structure. βœ— Not blocking flat before assembling motifs causes the runner to pucker and sit unevenly; steam or wet-block each motif to the proper measurements. βœ— Joining motifs without pinning first can create crowded or gappy placement; always lay out and pin motifs before sewing them into place. βœ— Using variable weight yarn or inconsistent hook sizes across motifs results in mismatched scale; use the same yarn and hook throughout for consistent stitch size. βœ— Ignoring color changes within vines or leaves will produce harsh lines; use Info tips to carry yarn or weave tails neatly for a clean finish.

Climbing Roses Trellis Table Runner Pattern

A romantic trellis table runner adorned with sculpted climbing roses, leafy vines and three decorative medallions. Worked in soft cream, two greens and warm pinks, this runner combines lace-like lattice work with dimensional flowers and leaves for a stunning table centerpiece. The pattern uses simple crochet motifs joined together for a hand-crafted, cottagecore look that lays flat and photographs beautifully. Detailed assembly and blocking notes included to help you create a professional finish.

Advanced 10-12 Hours

Materials Needed for Climbing Roses Trellis Table Runner Pattern

β€” Main Fabric

  • 01
    Light worsted / DK or cotton blend (approx equivalent to US DK/Light Worsted) yarn: 250-300g in Cream/Beige for lattice and medallions
  • 02
    Worsted/DK cotton, Sage Green (main leaf color): 120-150g
  • 03
    Worsted/DK cotton, Light Olive Green (accent leaf color): 80-100g
  • 04
    Worsted/DK cotton, Coral/Pink (large roses): 120-150g
  • 05
    Worsted/DK cotton, Blush/Light Pink (small roses and buds): 60-80g
  • 06
    Small amounts (10-20g each) of darker green and dusty rose for contrast and small buds

β€” Tools Required

  • 01
    3.5mm (E) crochet hook for main work (adjust if your gauge differs)
  • 02
    3.0mm (D) hook for tighter petals and small details (optional)
  • 03
    Yarn needle for sewing and weaving in ends
  • 04
    Stitch markers (at least 6-8) to mark motif starts and grid spacing
  • 05
    Scissors
  • 06
    Blocking pins and blocking mat (or a flat towel and heavy books)
  • 07
    Measuring tape or ruler
  • 08
    Optional: small fabric glue or tack to hold rose centers while sewing
  • 09
    Optional: pressing cloth and iron for gentle steam blocking

Progress Tracker

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β€” Large Round Medallion (Make 3) :

Round 1 :

6 sc in magic ring (6)

Round 2 :

6 inc (12)

Round 3 :

(1 sc, 1 inc) x 6 (18)

Round 4 :

(2 sc, 1 inc) x 6 (24)

Round 5 :

(3 sc, 1 inc) x 6 (30)

Round 6 :

(4 sc, 1 inc) x 6 (36)

Round 7 :

(5 sc, 1 inc) x 6 (42)

Round 8 :

(6 sc, 1 inc) x 6 (48)

Round 9 :

(7 sc, 1 inc) x 6 (54)

Round 10 :

(8 sc, 1 inc) x 6 (60)

Round 11-14 :

1 sc in each st around (60)

Info :

These medallions are worked flat as a disc. Use cream/beige yarn. Keep tension even so the disc lies flat; if it cups, work one additional even round, if ruffles, reduce the next increase round.

Round 15 :

1 sc in each st BLO to create a subtle ridge (60)

Round 16 :

Fasten off, leave a long tail for sewing to trellis. Weave tail into back to secure center and avoid bulk.

Info :

Make three medallions. Block each medallion flat with a light steam or spray-blocking, pin to a 12-13 cm circle to keep shape before assembly.

β€” Trellis Grid Strips (Make 12 grid ropes to form lattice) :

Round 1 :

Foundation: ch to the desired length of runner (measure across table, sample image approx 90-100 cm long). For sample: ch 220 (this length is a guideline; adjust to your table). Do not join.

Round 2 :

Turn, sc in 2nd ch from hook and in each ch across creating a flat chain rope (219 sc). Fasten off OR continue working along rope to create a thicker cord.

Info :

Each grid rope serves as one axis of the lattice. You will make pairs (vertical and horizontal) and assemble into diamond-shaped trellis. Keep all cords the same length and tension for consistent squares.

Round 3 :

Optional: make cord tubular by returning and working sc in BLO across rope, round the rope, or use a 3-stitch I-cord method to create a plump lattice cord (219)

Round 4-6 :

Repeat Round 3 for bulk and stability if desired. Fasten off leaving long tails for joining ends when arranging the grid (219)

Round 7 :

Make 6 ropes for vertical direction and 6 ropes for horizontal direction (12 total). Space them approximately evenly so the diamonds measure about 5-6 cm across on sample measurements.

Info :

To create the lattice effect you will join cords at intersections with single crochet joins or sew them with matching yarn. Pin the cords across each other in a diamond arrangement and tack each crossing with a few sc or a few secure whip stitches for an invisible join.

Round 8 :

At each crossing: join cream yarn to the top of a rope, sc through both cords (or through one cord and the other cord under it) to tack them together. Work one sc per crossing point. Repeat across entire runner.

Round 9-12 :

Continue joining crossings in a checkerboard diamond pattern until the trellis is complete. Fasten off and weave tails neatly on the underside.

Info :

Lay out the entire runner on a flat surface and pin the grid before fastening any long seams. Adjust spacing until squares are regular and symmetrical; small adjustments at this stage make a large visual difference.

β€” Leaf Motif (Make approx 28-36 leaves; two sizes) :

Round 1 :

Ch 8. Work back along foundation chain on opposite side to form rounded leaf. In 2nd ch from hook: sc, hdc, 2 dc, hdc, sc, sl st to base (count example: 1 sc, 1 hdc, 2 dc, 1 hdc, 1 sc, sl st) β€” symmetrical leaf (8 sts across in chain)

Round 2 :

Ch 1, work along the flat leaf edge: sc in each stitch, when you reach tip of leaf: (2 sc, picot) to create a defined tip then sc back along the other side. Fasten off (approx 14-16 sts total depending on picot).

Info :

This is a typical simple leaf worked flat. For more sculpted leaves use BLO on Round 2 (1 sc in each st BLO) to create a raised center rib. Make leaves in two sizes: small (foundation ch 6) and large (foundation ch 10) to create layered foliage.

Round 3 :

Large leaf variation: ch 10; sc in 2nd ch, hdc, 2dc, 3dc at tip, 2dc, hdc, sc, sl st at base; Round 2: sc around working 1 sc in each st, add picot at tip for texture. Fasten off (approx 18-20 sts).

Round 4-6 :

Repeat leaf patterns: make approx 20-24 large leaves and 8-12 small leaves for layered effect. Use Sage Green for main leaves and Light Olive green for accents.

Info :

When making leaves in two tones, carry the accent color through the center two stitches and switch on the last return row so each leaf has a subtle midrib of a darker green. Weave in ends invisibly on the underside.

β€” Small Bud / Berry (Make 16-20) :

Round 1 :

MR, 6 sc in ring (6)

Round 2 :

6 inc (12)

Round 3 :

1 sc in each st (12)

Round 4 :

(1 sc, 1 dec) x 4, 1 sc x 4 (8) β€” shape into a small bead

Round 5 :

4 dec (4)

Round 6 :

Stuff lightly if desired, 2 dec (2)

Round 7 :

Sc2tog (1) β€” fasten off and close, leave long tail for sewing

Info :

Use blush/pale pink or coral for buds. Make 16-20 for scattered little berries across the runner β€” they act as visual connectors among leaves and flowers.

β€” Large Rose (Rolled Petal Technique) (Make 6: 4 large + 2 medium) :

Round 1 :

Foundation: ch 60 (for large rose). Row 1: sc in 2nd ch from hook and in each ch across (59 sc). This creates a long strip that will be worked in rows to form petal ridges.

Round 2 :

Ch 1, turn, sc in FLO across (59) β€” the FLO pushes the petals up when rolled

Round 3 :

Ch 1, turn, sc in BLO across (59) β€” this creates a textured ridge down the center of the strip

Round 4 :

Repeat Rounds 2-3 for a total of 8 rows (so strip has alternating ridges) β€” keep the strip flat and don't stretch it (59)

Info :

For medium-sized roses use ch 44 and work the same alternating FLO/BLO rows for 6 rows. Use coral/pink yarn. The number of rows controls petal depth and fullness.

Round 5 :

Fasten off leaving a long tail for sewing. Fold one narrow end to create the rose center and begin rolling strip tightly around center, tacking every 2-3 cm with a few stitches using the long tail to hold petals in place.

Round 6 :

Pin rolled rose on blocking mat and shape petals outward as you secure them by sewing through the base of the strip. Continue until entire strip is rolled and cross-stitches secure the outermost petal shell (final diameter about 9-11 cm for large rose).

Round 7 :

Finish by weaving the long tail through base loops and tightening to secure. If petals feel loose, add a few hidden whip stitches through each petal base to stabilize.

Info :

Make 4 large roses (ch 60) and 2 medium (ch 44) for the sample layout. Slightly offset shades among roses create a realistic climbing rose look; try ombre or variegated yarn to speed color variety.

β€” Small Rose (Tighter Spiral) (Make 6-8) :

Round 1 :

Ch 36. Row 1: sc in 2nd ch and across (35)

Round 2 :

Ch 1, turn, sc in FLO across (35)

Round 3 :

Ch 1, turn, sc in BLO across (35)

Round 4-6 :

Repeat Rounds 2-3 for a total of 6 rows. Fasten off leaving long tail. Roll and sew as with Large Rose. Final diameter approx 5-6 cm.

Info :

Small roses make great filler flowers around large roses. Use a lighter pink or the blush tone for contrast. Pin each rose into place before sewing for balanced composition.

β€” Vine Cord & Stem Work (Make several vine pieces to weave along border) :

Round 1 :

Foundation: ch 120 (or needed length). Work back: sc in 2nd ch from hook and each ch across to create a slim cord (119 sc). This forms a flexible vine.

Round 2 :

Ch 1, turn, sc in BLO across (119) to create a ribbed, slightly twisted vine (119)

Round 3 :

Optional: for a thicker vine, fold cord and join by sc through both layers along one edge to form a double vine. Fasten off with long tail for placement.

Info :

Vines in sample are stitched in Light Olive for variation. Make 4-6 vine cords of varied lengths to weave and anchor roses around the medallions. Tuck vine ends under leaves when sewing to the trellis for a natural look.

β€” Edge Scallop and Outer Border Motifs :

Round 1 :

Join leaf-color yarn along outermost rope of trellis. *Ch 3, skip 1 st, sc in next st* repeat along edge to create small scallops spaced approx every 1.5-2 cm. Fasten off (pattern depends on runner width).

Round 2 :

Work into each scallop: (sc, hdc, 3 dc, hdc, sc) to create rounded petals along the edge. This yields a decorative scallop shell that frames the runner. Fasten off and weave tails (per scallop ~8-10 sts).

Round 3 :

Between scallops add single small leaves and buds by joining yarn at scallop bases and working a small leaf (foundation ch6, sculpt as in leaf motif). This softens the edge and provides continuity with interior foliage.

Info :

Edge scallops are made all around the runner. Pin scallops as you go so they sit evenly. Use blocking pins to keep curvature consistent and ensure the runner lays flat.

β€” Assembly and Joining Motifs :

Round 1 :

Layout: On a flat surface, lay the trellis grid and place 3 medallions along the center axis at even spacing. Arrange vines, leaves and roses around medallions in the desired composition. Use photos as reference for placement symmetry and negative space.

Round 2 :

Start by sewing the medallions: with long tail from medallion, use mattress or whip stitch through medallion edge and trellis cord beneath. Sew evenly around to avoid puckering; secure with knot and weave tail at underside.

Round 3 :

Attach large roses next: position rose over medallion edges and vine intersections. Use long tail from rolled rose base and stitch through multiple base loops to anchor. Typically 10-14 stitches per rose base ensures stability.

Info :

For a strong hold, sew both to the trellis cord and to adjacent vine cords. Use matching yarn color and small whip stitches; hide the knots in the underside center of medallion or beneath leaves.

Round 4 :

Sew leaves in layered clusters under and around roses. Place larger leaves as back layers and smaller as top layers to recreate the dense climbing rose foliage. Use small invisible stitches through leaf midrib and through trellis cord.

Round 5 :

Sew buds between leaves and along vine cords; use one or two stitches through bud base to secure. Use small decorative stitches to simulate thorns or tendrils by sewing short lengths of yarn and trimming ends then sealing with a tiny dab of fabric glue if necessary.

Round 6 :

Edge finishing: sew scallops into place along the outer rope. Add any final leaf or bud accents where you notice gaps. Check both sides for symmetry and balance, adjusting placements as necessary.

Round 7 :

Final weaving: weave all tails into underside, trim close. Gently steam-block the fully assembled runner while it is pinned to ensure a flat, crisp finish. Allow to dry fully before use.

Info :

Blocking is essential: pin the runner with medallions and roses shaped as desired, apply steam or wet-blocking and allow to dry 24 hours. This evens out the trellis grid and helps motifs sit neatly together.

β€” Finishing Touches and Care :

Round 1 :

Inspect underside and secure any loose seams. If the runner is intended for heavy-use surfaces, consider adding a thin, clear non-slip mat underneath each medallion location or a slipstitch join overlay to reduce snagging on tableware.

Round 2 :

Care instructions: gentle hand wash in cool water, reshape and pin flat to dry. Avoid harsh detergents and bleach. Soft steam ironing with a cloth over the runner will refresh shape between washes.

Info :

Because the runner is three-dimensional, avoid heavy centerpieces that flatten the roses; instead use low, wide bowls or candles to complement the design.

Assembly Instructions

  • Attach each medallion to the trellis by placing it centered on the trellis junctions. Pin in place, then sew with mattress or whip stitch around the circumference using the long tail left from the medallion (refer to medallion Rounds 15-16); stitch evenly to avoid puckering.
  • Position large roses around medallions and along vines. Sew through the rose base and into both the trellis cord and vine cord to anchor securely. Use 10-14 small stitches per rose base and hide ends under the rose and leaves.
  • Arrange and sew the vine cords along the trellis using whip stitch at intersections and under leaf clusters. Tuck vine ends under leaves and secure with hidden stitches; weave tails on underside.
  • Layer leaves around each rose: lay larger leaves first (back layer), then medium and small leaves on top. Sew through the leaf midrib into the trellis cord and vine cord so leaves hold shape. Use a couple of stitches per leaf for stability.
  • Sew buds and small roses last, in the nooks between leaves and petals. Use a few tiny stitches to secure each bud; place them to visually connect clusters and fill gaps.
  • Edge scallops: pin scallop shells evenly around the outer rope and sew them in place using small invisible stitches. Add leaf accents between scallops as needed for continuity.
  • Weave in all loose ends neatly on the underside using a yarn needle; trim close and secure any potentially exposed tails with an additional stitch or tiny dab of fabric glue if necessary.
  • Complete final blocking with pins and steam or wet block; reshape petals and leaves before the runner fully dries to ensure all motifs lay naturally and the lattice retains even tension.

Important Notes

  • πŸ’‘Use stitch markers or clips at the start and end of every long cord to keep track of measurements and make sure all grid ropes are the same length.
  • πŸ’‘Stuffing is not used for this project; shaping comes from rolling strips and blocking. Avoid over-tight rolling of roses to prevent a stiff, unnatural look.
  • πŸ’‘Block each motif flat before assembly to maintain consistent shapes and to make sewing easier and more accurate.
  • πŸ’‘Always pin motifs in place before sewing; this allows for adjustments in spacing and orientation and prevents asymmetry.
  • πŸ’‘Carry yarn where color changes are minor to reduce ends; weave tails neatly into the back of motifs instead of knotting on the surface.
  • πŸ’‘Use the same dye lot of yarn for a uniform look; slight shade variations can be used intentionally for ombre roses but check yardage before starting.
  • πŸ’‘When joining cords at crossings use small, discrete stitches and match yarn color to keep joins invisible from the top.
  • πŸ’‘If you plan to launder the runner frequently, consider sewing a lightweight cotton backing or lightly fusible interfacing underneath for extra durability.

Completing this Climbing Roses Trellis Table Runner is such a rewarding finishβ€”watching the trellis come alive with petals and foliage is pure magic! Each carefully pinned motif adds detail and charm until the whole piece feels like a living centerpiece. Enjoy the process of arranging and blocking to create a professional, gallery-worthy runner for your table. 🧢🌸 Your handmade garden will brighten any room β€” happy stitching and don’t forget to share photos of your finished piece! πŸ“Έ

You ask,

we answer.

FAQs

What is the finished size of this runner?

On the sample with the specified ch lengths and yarn weight the finished runner measures approximately 95-105 cm long by 28-32 cm wide. You can change length by adding or removing foundation chains for the trellis ropes.

Can I use different yarn weights for this pattern?

Yes, but changing yarn weight will alter scale. If using heavier yarn choose a larger hook and expect larger medallions and wider lattice. Maintain consistent yarn weight across all motifs for best results.

Do I need to block each motif?

Blocking is strongly recommended. Each medallion, leaf and rose benefits from blocking to flatten, shape and set curvature. Block before assembly and again after the runner is fully joined for a crisp finish.

How much yarn will I need?

The pattern suggests roughly 250-300g cream, 120-150g sage green, 80-100g light olive, 120-150g coral/pink, and smaller amounts of blush tones. Exact amounts vary by personal gauge and runner length.

Can I wash the finished runner?

Yes; handwash gently in cool water and reshape while damp. Pin flat to dry. Avoid machine washing or tumble drying which can distort three-dimensional flowers and the lace-like lattice.

How are the roses constructed to stay open?

Roses are made from a strip worked with alternating FLO/BLO rows and then rolled tightly; the texture created in FLO/BLO helps petals maintain shape. Tacking and careful sewing at the base complete and stabilize the rose.

Is this pattern suitable for beginners?

This is an advanced pattern due to motif variety, assembly complexity and finishing. Intermediate crocheters with good experience in joining motifs, shaping and blocking could attempt it with patience.

Can I customize the layout of roses and medallions?

Absolutely. The modular nature makes re-arrangement easyβ€”pin motifs in different positions before sewing to create your own composition and balance.