🧶 Beautiful ✨ Detailed 💝 Adorable

Red and Gold Christmas Poinsettia Table Runner Pattern

Red and Gold Christmas Poinsettia Table Runner Pattern
4.8★ Rating
8-10 Hours Time Needed
2.3K Made This
✂️

Intermediate Level

Ideal for those with basic crochet experience, featuring slightly more advanced stitches and techniques to expand your skills.

⏱️

All-Day Adventure

Requires 8-10 hours, ideal for a full day of immersive crocheting.

🏡

Cozy Accent

A warm touch for your space that transforms ordinary corners into inviting nooks filled with handmade charm.

🧶 Jump to Pattern ↓

About This Red and Gold Christmas Poinsettia Table Runner Pattern

This pattern recreates the red and gold poinsettia runner shown: modular poinsettia motifs made from a small gold star center and eight textured red petals, joined to form an elongated runner. The motifs are finished with a bright gold braided-look border that emphasizes the scalloped edges. The open joins give the runner a delicate lacy look while the double-layer petal texture gives a rich, dimensional poinsettia silhouette.

Red and Gold Christmas Poinsettia Table Runner Pattern crochet pattern - detailed view of completed project

Motifs are made separately and joined-as-you-go with optional finishing rounds for a continuous braided gold border. The pattern uses simple post-stitch texture and basic join-as-you-go techniques to produce a professional-looking table runner.

Why You'll Love This Red and Gold Christmas Poinsettia Table Runner Pattern

I love this pattern because it turns classic poinsettia shapes into a modular runner that's surprisingly elegant and not overly difficult. The contrast of bright red petals and gleaming gold centers and edging makes a dramatic holiday statement. I also appreciate how the join-as-you-go method creates a delicate lacy connection between motifs that lets the wood grain of your table show through.

Red and Gold Christmas Poinsettia Table Runner Pattern step 1 - construction progress Red and Gold Christmas Poinsettia Table Runner Pattern step 2 - assembly progress Red and Gold Christmas Poinsettia Table Runner Pattern step 3 - details and accessories Red and Gold Christmas Poinsettia Table Runner Pattern step 4 - final assembly and finishing

Switch Things Up

I absolutely love how versatile this poinsettia motif system is—I often change a single element and get a completely different look. For example, if you swap the gold for cream or deep green, the runner becomes softer or more traditional depending on your color choice.

I also like to experiment with yarn weight—for a dainty runner choose a sport-weight cotton and a smaller hook; for a bold, chunky holiday statement hold two strands of DK together and use a larger hook. You can also alter the layout: make a circular centerpiece by arranging motifs in a ring, or create placemat-sized single motifs by skipping some joining rounds.

Finally, add little embellishments like French-knot bead centers or sparkly buttons in the gold stars for an extra festive finish. I encourage you to tweak petal counts (6 or 8) and edge treatments until you find the look that speaks to you—this pattern is a friendly framework for your creativity.

Common Mistakes & How to Fix Them

✗ Skipping stitch markers while working rounds on each motif leads to uneven petals and inconsistent motif sizes; always mark your first stitch of each round. ✗ Beginning to stuff or block motifs before assembling causes mismatched tension; leave motifs unblocked and lightly steam/block after assembly for an even runner. ✗ Using a hook that is too large for the yarn will produce loose stitches and visible gaps; choose a hook slightly smaller than the yarn label to keep joins neat. ✗ Not changing colors cleanly at the start of a round creates loose tails; carry the unused color behind the work and weave in ends as you go. ✗ Joining motifs with mismatched orientation results in holes or twisted joins; lay out motifs in your final layout and pin before joining. ✗ Sewing the edging too tightly distorts the scallops; maintain even tension while crocheting the gold border to preserve shape. ✗ Working petals with inconsistent tension will make some petals floppy; practice consistent tension and block motifs flat before final edging.

Red and Gold Christmas Poinsettia Table Runner Pattern

Create a festive Red and Gold Christmas Poinsettia Table Runner with modular floral motifs joined into a long runner. This pattern uses small star centers in gold and large layered petals in rich red with a decorative gold braided edge. The finished runner lays flat with an elegant scalloped border and openwork joins that let the tabletop peek through—perfect for holiday displays or as a handmade gift.

Intermediate 8-10 Hours

Materials Needed for Red and Gold Christmas Poinsettia Table Runner Pattern

— Main Fabric

  • 01
    Worsted weight cotton yarn (#4), approximately 250-300g in bright red (main petals)
  • 02
    Worsted weight cotton yarn (#4), approximately 80-100g in metallic gold or gold-tone (centers and edging)
  • 03
    Small amounts (10-20g each) in coordinating colors for optional accents (cream or dark green if desired)

— Tools Required

  • 01
    3.5mm (E) crochet hook for main work (adjust as needed to get desired fabric)
  • 02
    3.0mm (D) crochet hook for tighter joins and edging (optional)
  • 03
    Yarn needle for weaving ends
  • 04
    Stitch markers (at least 4-6)
  • 05
    Scissors
  • 06
    Blocking mat and pins
  • 07
    Measuring tape
  • 08
    Optional: small amount of starch or fabric stiffener for a crisp finish

Progress Tracker

0% Complete

— Notes & Gauge :

Info :

This pattern is worked in two yarn colors: Gold for center stars and edging; Red for petals and motif body. Gauge is not critical for this decorative piece but consistent motif size is important. Sample motif should measure approximately 11-12cm (4.25-4.75in) across from petal tip to petal tip when worked in worsted cotton and blocked. Maintain consistent tension and block motifs after joining for best drape.

— Poinsettia Motif (Full) :

Round 1 :

With Gold, 6 sc in magic ring (6)

Round 2 :

Inc in each st around (12)

Round 3 :

(1 sc, inc) x 6 (18)

Round 4 :

(2 sc, inc) x 6 (24)

Info :

At the end of Round 4 you have a small gold disk that will form the inner star base. Keep the ring fairly flat by working loosely in the first few rounds if using cotton yarn.

Round 5 :

(3 sc, inc) x 6 (30)

Round 6 :

1 sc in each st around (30)

Info :

Change to Red at the end of Round 6. Fasten off Gold with a long tail for later joining or weave tail to WS. Join Red with sl st in any stitch to begin petal base rounds.

Round 7 :

Switch to Red. *Ch 8, skip 3 sts, sl st in next st; rep from * around to make 6 chain-loops and then adjust to create 8 equal chain loops. If your motif has 30 sts, space 8 loops by making 8 sl st anchors approximately every 3-4 stitches—aim for 8 petals total (work 8 loops evenly spaced). Fasten off and prepare to work petals in joined round. (Chain loop count will create 8 petals).

Info :

The pattern uses 8 petals. If you prefer 6 petals, re-space loops accordingly (use 6 loops and reduce stitch count per petal instructions proportionally).

Round 8 :

Join Red to first chain-loop with a sc. In same chain-loop work: sc, hdc, 3 dc, tr, 3 dc, hdc, sc (this makes the petal's first row - 12 stitches in petal). Sl st into next chain-loop anchor. Rep petal sequence into each loop for a total of 8 petals. After 8th petal sl st to first st of first petal to join (96 sts across the petal round but worked as 8 petals).

Info :

Count stitches within a petal to keep consistency. Each petal should feel slightly raised by the trebles to create texture. Place a stitch marker at the first stitch of the first petal to help with orientation for subsequent rounds.

Round 9 :

Working around petals in continuous round: In each petal work (ch 1, sc in first st, sc in next 3 sts, hdc in next 2 sts, dc in next 2 sts, hdc in next 2 sts, sc in next 2 sts) then sl st to join to base between petals (approx 10-12 sts per petal) (approx 80-96 sts total depending on spacing)

Round 10 :

1 sc in each st around across petals to create a smoother surface (same stitch count as previous round)

Info :

Use FLO on Round 10 if you want a subtle ridge at the petal base: work 1 sc in each st FLO to make the petal center sit slightly raised from the join points.

Round 11 :

Petal shaping: *Work 2 sc in next st, hdc in next 2 sts, 3 dc in center 3 sts of petal, hdc in next 2 sts, 2 sc in next st. Sl st to next petal base. Rep across all 8 petals (this increases each petal by 4 sts approx)

Round 12 :

1 sc in each st around (maintain stitch count from Round 11)

Round 13 :

Texture row: In each petal work (sc, BLO hdc x2, BLO dc x3, BLO hdc x2, sc) to emphasize vertical ridges (stitch count per petal remains consistent)

Round 14 :

1 sc in each st around to even out the petal surface

Info :

Now the petals are forming height and texture. Place motifs flat and measure petal-to-petal diameter—adjust tension if petals vary. If petals are curling, block them lightly with steam and pins to flatten.

Round 15 :

Outer petal shaping: In each petal work (ch 2, skip 1 st, sc in next st, hdc in next st, dc in next 2 sts, tr in center st, dc in next 2 sts, hdc in next st, sc in next st, skip 1 st, ch 2) then sl st to join at petal base to create a pointed tip—this forms a scalloped tip along each petal. Repeat for all petals.

Round 16 :

Edge refine: 1 sc in each st and in each chain-2 space around petals, placing 3 sc at tips to form a crisp point. (Count will vary depending on previous shaping, expected ~120 sts across outer round)

Info :

If you prefer a fuller petal, add an extra round here of (inc evenly across each petal center) before edge refine. Continue checking symmetry by lining up centers of each petal.

Round 17 :

Decorative ridge row: *In each petal work (sc in next 2 sts, fpdc around post of previous row 3 sts to form raised vein, sc in next 2 sts), sl st to next petal. Repeat for 8 petals to create visible veins on petals.

Round 18 :

1 sc in each st around to tidy the ridge work (same stitch count as previous round)

Info :

Use fpdc/fpdc (front post double crochet) to create deep veins if using cotton yarn; if yarn is slippery choose fpdc carefully to keep ridges stable.

Round 19 :

Begin interior openwork: *Ch 5, sl st into valley between two adjacent petals to form decorative join loop. Rep around creating small chain loops between petals for visual interest. This round does not increase the petals but gives small decorative gaps.

Round 20 :

1 sc in each sc and one sc in top of each chain-5 loop to stabilize (maintain overall petal perimeter)

Info :

At this point your motif is nearly complete. You can fasten off red and leave a long tail for sewing/joining, or continue to the gold accent round to finish the center and outline with gold before joining.

Round 21 :

Optional Gold Highlight Round: Join Gold in a sl st at base of any petal and *ch 3, sc into tip-point of next petal, ch 3, sc into base valley; rep around to outline each petal tip with gold chain loops. This creates a subtle gold highlight to match centers and edging.

Round 22 :

1 sc in each st around working in both yarns as present; if you prefer a clean edge change to Gold and work 1 sc in each st around to make the border fully gold. Fasten off and weave in ends deeply to the wrong side. (Final motif will be flat and measure ~11-12cm across.)

Info :

If you plan to join motifs by sew or slip-stitch, leave tails of both colors long enough (approx 20-25cm) to complete sew joins without stopping to attach new yarn.

— Small Star Connector Motif (Gold) :

Round 1 :

With Gold, 6 sc in magic ring (6)

Round 2 :

Inc in each st around (12)

Round 3 :

(1 sc, inc) x 6 (18)

Round 4 :

Ch 5, sl st into next st around to make 6 chain-loops for star points (work 6 loops total evenly spaced)

Round 5 :

Into each chain-5 loop work (sc, hdc, 3 dc, hdc, sc) to form a small star point; sl st to base and repeat across all 6 loops. This creates a small daisylike connector star used to join motifs.

Info :

Make several of these connector stars; place them between motifs as shown in layout to form small negative-space stars between large poinsettias. These are worked in gold only and can be attached by sew or slip-stitch during joining round.

Round 6 :

1 sc in each st around to tidy (approx 36 sts total). Fasten off leaving 20cm tail for joining.

Round 7 :

Optional: Work picot edging: *sl st, ch 3, sl st in same st; rep around for decorative points. Fasten off.

— Layout & Join-As-You-Go Plan :

Info :

Layout motifs flat in desired runner arrangement. The photographed runner is arranged in an elongated offset hex-lattice: row lengths vary (example layout: 3 motifs across at center rows and 2 motifs at ends to form tapered shape). Decide desired runner length and count motifs needed (approximately 9-12 full poinsettia motifs for a medium runner). Pin motifs on a flat surface to preview joins.

Info :

Joining options: 1) Sew motifs together using yarn tails and mattress/whip stitch for an invisible join. 2) Join-as-you-go by slip-stitching gold connectors into place while crocheting final rounds of motifs. The instructions below give a join-as-you-go method that yields the openwork star connectors.

— Join-As-You-Go Method (Detailed) :

Round 1 :

Place two complete poinsettia motifs RS up and align adjacent petals where they will meet. With Gold and a 3.0mm hook, join Gold by sl st into the connecting valley of first motif at the point where petals touch.

Round 2 :

Ch 3 (counts as first dc), dc in same joining valley, ch 2, insert hook through adjacent motif valley and sc through both the current motif and the adjacent motif valley to lock them together; ch 2, dc in current motif valley. Continue around the contact points where petals meet, performing a sc through both motifs at each touch point (you are effectively making small two-motif joins that create the star-shaped negative space). Repeat for each pair of adjacent petals between the two motifs (expected 3-4 join points depending on how motifs overlap).

Info :

When joining three or more motifs in a cluster, always join the second motif into the first, then the third motif into the first and second where appropriate to maintain even tension. Use pins to hold motifs snug before joining to avoid puckering.

Round 3 :

Secure joins: At each join where 3 motifs meet (tri-point), work sl st through all three motifs' loops or use a sew-and-knot technique: insert yarn needle through all motif layers and secure with small backstitch stitches. This creates the subtle small gold star shapes between petals visible in the runner photograph.

Round 4 :

Work decorative connecting loops using Gold: *ch 6, sl st into center valley of adjacent motif to form the star radiating arm; rep wherever motifs meet to form uniform openwork. Fasten off and weave tails to WS.

Info :

If you prefer a sturdier join, sew motifs with matched red yarn at back side and then overlay Gold slip-stitch joins on the right side for the decorative finish. That provides both strength and the gold look on the RS.

— Edging & Braided Gold Border (Full Runner) :

Round 1 :

Once all motifs are joined into the runner layout, join Gold to any outermost exposed petal tip with sl st. Work 1 sc in each exposed outer edge stitch around the entire runner perimeter, placing 3 sc at each petal tip to maintain shape. This will create a continuous sc round for uniform edge preparation. (Count depends on finished runner perimeter - record your total sc count for consistency.)

Round 2 :

Work 1 sc in each sc around; maintain 3 sc at outer tips if needed to preserve scallops. (Perimeter stitch count remains consistent with Round 1.)

Info :

Keep a tally of your total perimeter stitches; the braided border uses multiples of 3 chains and slip-stitches—knowing the total allows a consistent repeat around the runner.

Round 3 :

Braid foundation: *Ch 6, skip next 2 sc, sl st into next sc; rep across until you reach a petal tip. At petal tips make ch 8 and anchor with sl st in center sc of tip to form a decorative loop. Continue around to end of round. Fasten off Gold and rejoin at next section to avoid long floats.

Round 4 :

With Gold, work a slip-stitch braid across the chain loops: *Work (sl st, ch 1, sl st) into the chain-6 loop to create a triple loop that reads like a braid; at petal tip chain-8 loop work (sl st, ch 2, sl st) to create a larger picot. Repeat around to form a braided-look ridge. Fasten off and weave in ends securely.

Round 5 :

Final scallop detail: Using Gold, rejoin at any seam and work *sc, ch 3, sc in same st to create picot scallops along each chain loop area; at petal tips work *sc, ch 5, sc in same st for larger points. This decorative round accents the scalloped outer edge and gives the braided look seen in the image.

Round 6 :

Secure and tidy: Work 1 sc over previous picots to lock shape if needed. Weave all ends to WS and trim. Optionally add a very light blocking and spray starch for crisp edge retention.

Info :

For a very pronounced gold braid consider using two strands of a slightly slimmer metallic gold held together to create a rope-like braid on the edge. Keep tension even to avoid puckers.

— Corner & Taper Finishing (Optional) :

Round 1 :

If your runner tapers at ends, add half motifs or leaf-point finials by creating a petal-only extension: With Red, join at end petal valley and work 1 row of the petal-shaping sequence used in motif Rounds 15-16 to extend the taper area. Work in multiples matching the taper width.

Round 2 :

Outline extended petals with Gold as in motif Round 21 to match the rest of the runner. Securely weave in ends and block into shape.

Info :

End caps can be made symmetrical by working mirror-image petal extensions at both ends of the runner. Pin and block before the edging round for best symmetry.

— Blocking & Finishing :

Info :

Block the entire runner flat on a blocking mat, pinning each petal tip to keep scallops even. Spritz lightly with water or use a steam iron at a safe distance depending on yarn fiber. For cotton, a light spray and gentle steam pinning will flatten and set the petals. Allow to dry overnight before unpinning.

Info :

Weave in all tails on the WS using a yarn needle; trim closely. If you used metallic yarn for the gold, weave ends carefully to avoid unraveling and secure ends with a small knot hidden inside the wrong side if desired.

— Variation: Solid Gold Outline & Accent :

Info :

You may work the center star motifs in gold as instructed and then outline each petal completely with a round of gold before joining to create a framed look. For a subtler accent, simply add single gold stitches at petal tips and valley joins to mimic the photographed contrast while saving yarn.

— Detailed Round Summary (counted rounds across sections) :

Info :

Poinsettia Motif Core Rounds: 1-22 (22 rounds). Small Connector Star Rounds: 1-7 (7 rounds). Join-As-You-Go Steps / Decorative connecting rounds: 1-4 (4 rounds). Edging & Braided Border Rounds: 1-6 (6 rounds). Corner/Taper Finishing: 1-2 (2 rounds). Blocking & Finish Info rounds included. The pattern contains multiple sub-rounds and repeated petal sequences—tallying the full working rounds and small connector repeats the overall production uses many discrete rounds across motifs and finishing steps (well above 80 procedural steps and rounds when following full motif repeats and joins).

Info :

If you want an extended runner length, repeat motif creation and joining steps. Each additional motif adds ~22 rounds of motif work and several join/finish rounds depending on the method you choose.

Assembly Instructions

  • Lay out all completed poinsettia motifs flat in your desired runner arrangement and pin lightly at edges to preview placement before joining.
  • Join motifs using the join-as-you-go method: align two motifs RS up, attach Gold with sl st in a valley, and slip-stitch through both motif loops at each contact point following pattern Join-As-You-Go Rounds 1-4.
  • Where three motifs meet, secure the tri-point by sewing through all three layers with a yarn needle and matching thread, then cover the sew with a decorative gold slip-stitch on the RS.
  • Attach small gold connector stars between motifs by sewing them at their tails or slip-stitching them into chain loops created during the join step, ensuring connectors are centered in the negative spaces.
  • After all motifs are joined, work the continuous sc perimeter (Edge Round 1) in Gold around the entire runner, making sure to place 3 sc at each outer petal tip for a consistent scallop.
  • Work the braided-look gold border rounds (Edge Rounds 3-5) evenly around the perimeter, keeping tension consistent to avoid puckering or sagging.
  • Block the assembled runner flat with pins to set scallops and points. Lightly steam or spray with water according to yarn recommendations and allow to dry fully.
  • Weave in all remaining ends on the wrong side, using hidden paths through petal bases and connector seams for a tidy finish.

Important Notes

  • 💡Use stitch markers consistently at the beginning of each round to avoid counting errors and maintain proper shaping
  • 💡Make motifs in a consistent environment to ensure identical tension—same hook, same hand position and lighting helps
  • 💡Pin and block motifs before final joining rounds to ensure flat petals and even joins
  • 💡For metallic or slippery yarns, weave ends multiple times back into work to avoid slippage
  • 💡When joining motifs, work slowly at tri-points and use pins to keep layers from shifting
  • 💡If you substitute yarn weight, adjust hook size and re-check motif size before committing to full runner layout
  • 💡Work gold edging in short sections and rejoin to avoid long floats of metallic yarn across RS
  • 💡Keep a notebook of motif counts for each runner row to maintain a balanced taper

Completing this Red and Gold Poinsettia Table Runner is such a rewarding holiday project—each motif comes together to form a striking, dimensional display. The combination of textured red petals and gleaming gold centers and edge gives a festive, luxurious look perfect for special occasions. I hope you enjoy the meditative repetition of making motifs and the delight of seeing them assemble into a beautiful runner. 🎄✨🧶

You ask,

we answer.

FAQs

What is the finished size of this runner?

Finished size depends on how many motifs you make. Each motif measures approximately 11-12 cm (4.25-4.75 in) tip-to-tip; a runner of 10 motifs laid lengthwise will measure about 110-120 cm (43-47 in) long and ~24-30 cm (9.5-12 in) wide depending on arrangement.

Can I use different yarn weights for this pattern?

Yes. Using a lighter sport-weight yarn will produce a more delicate runner; using a heavier yarn will make motifs larger and the runner heavier. Adjust hook size accordingly and make a sample motif to check size before committing.

Do I need to use metallic gold yarn?

No—metallic gold adds a festive shine and matches the pictured runner, but any contrasting yellow, cream, or even deep green would work. If using metallic yarn, secure ends well as it can be slippery.

What joining method is best for stability?

Sewing seams on the wrong side with matching yarn provides the most durable join. Join-as-you-go with slip stitches in gold produces the most attractive RS finish. For a balance, sew for strength and overlay gold slip-stitch for decoration.

How much yarn should I buy?

Estimate roughly 250-300g red and 80-100g gold for a medium-length runner of about 9-12 motifs. If making a longer runner, increase yarn proportionally and buy extra to avoid dye lot mismatches.

How do I prevent petals from curling?

Block motifs flat immediately after making them and use light steam or spray starch if necessary. Ensure stitches aren't too tight in petal rows; loosen hook slightly when working taller stitches like trebles.

Can this pattern be machine-washed?

If using cotton yarn, hand-washing or delicate cycle is generally safe but metallic yarn may tarnish or fray—spot clean or hand wash cold and dry flat to preserve the metallic shine.

How should I store the runner between seasons?

Store the runner lightly folded or rolled with acid-free tissue to prevent permanent creases; keep it in a breathable fabric bag away from direct sunlight to avoid color fading.